Collectivism and Science Fiction VI: Asimov’s Numerology
Jason Kuznicki on Aug 29th 2008
I want to get a tattoo of myself on my entire body, only 2″ taller. — Steven Wright
I found Isaac Asimov’s Foundation a lot less enjoyable the second time through. I’d read it I believe in 8th or 9th grade, and it was really a disappointment to come back to it. Oh well, you live and learn.
First, the plots of each of the sub-stories of this book are almost absurdly contrived. What seemed well-constructed before now seems tired and predictable. This may owe to Asimov’s great influence on later fiction, science and otherwise — Can later works ruin earlier ones? — but I still had a hard time getting hooked by them the second time around.
Second, the whole thing could have used an editor. On one page, a technological thingamajig is called a “hyperwave,” which we’ll give a pass, for the sake of argument. Science fiction gets its poetic license, and we especially extend the license to golden-age science fiction. But only a few pages later, the very same device is called an “ultrawave,” which is hard to forgive. Internal consistency and all that. Also: Is the name Anselm haut Rodric, or Anselm [H]aut Rodric? True, he’s a minor character, but the “haut” is noted, in authorial voice, as a particle of nobility, and dwelled upon as a bit of local color, so one would expect consistency here of all places.
But then, these aren’t the reasons I’m writing.
I’m writing about the numbers! The numbers. Not only is there a scientific means of predicting the future, but it can be performed on a pocket calculator:
Seldon removed his calculator pad from the pouch at his belt. Men said he kept one beneath his pillow for use in moments of wakefulness. Its gray, glossy finish was slightly worn by use. Seldon’s nimble fingers, spotted now with age, played along the files and rows of buttons that filled its surface. Red symbols glowed out from the upper tier.
He said, “That represents the condition of the Empire at present.”
After some technobabble,
“This is Trantor three centuries from now. How do you interpret that? Eh?” He put his head to one side and waited.
Gall said, unbelievingly, “Total destruction! But — but that is impossible. . . .”
The real science fiction of the Foundation series is not the hyperwave or ultrawave or whatever it was. It’s not even the pocket calculator, whose existence the above excerpt accurately predicted years before the real thing. The key science fiction development of the Foundation series is in the social sciences: Asimov’s “psychohistory” is nothing less than the ability to predict the future of a sufficiently large civilization. (We’re told throughout this novel and the rest of the series that psychohistory won’t work on small groups, only on large ones.)
It’s an extraordinary technology: What would be required to produce it? Let’s set aside the computational resources for a moment, although these are obvious and would have to be vast. Let’s also keep out of the technobabble, which I am sure could be supplied by appropriately trained mathematicians. Or authors.
To be able to predict the future without constructing an exact replica of the entire universe would require a process of modeling or abstraction that in some way simplified matters. It would have to focus solely on the important things, and those important things would have to be fewer, or at least easier to calculate, than the set of data that is the universe, actual and entire.
Just as when modeling the arc of a thrown baseball we need not worry about the ball’s color, but only about its mass, air resistance, volume, and a few other essential traits, a workable psychohistory would have to identify the essential characteristics of human actions (with, according to Asimov, the stipulation that individual actions matter less and less as the sample size increases, which is a lot to concede in itself, but never mind). To get at the essential characteristics of human actions, we would need to know what humans value, and how much they value it. We would presumably also have to know how these evaluations changed in importance in large groups with conflicting values.
In other words, we would be thrown right into the middle of the socialist calculation debate. Surprisingly, Asimov — a refugee from the Soviet Union — came down squarely on the side of the socialists, at least in his fictional society. The economy, and also the politics and culture, can be predicted, even planned in advance, using advanced mathematics, and once the heavy lifting is done, the results can be demonstrated on a pocket calculator.
One thing that’s always puzzled me about the socialist calculation debate is that not only would we have to solve a prohibitively large number of equations to find equilibrium prices for every single good in an economy where the prices of all goods depend to some degree on those of all others, we would also have to gather knowledge from every market actor about their individual hierarchy of preferences. In Asimov’s much more ambitious project, we would also have to derive and solve entirely new types of equations in which emotional states and ideologies are somehow quantified and placed into relationships with one another.
Often, however, I don’t even personally know what I want — and I haven’t the slightest idea what I might want a year from now. These wants of a year from now must surely be important in predicting the future two years hence, and even if individual preferences did cancel one another out, the same situation clearly obtains for larger groups: Humanity as a whole can’t be imagined to know what it will want a year from now, if none of its parts can do so.
In other words, to predict the future, we must be able to predict the future, and we’re back at square one. To predict even the immediate future, we must have access to the wants and needs of all people, or at least a sufficiently large subset of them, and people themselves typically don’t know all of what they want and need, and what degree of importance they would give to these desires. Psychohistory might be the one thing even more impossible than traveling faster than the speed of light. (Asimov’s characters do this all the time; tellingly, only an elite few can fathom psychohistory.)
It does say something, though, about the power of an idea, that this sort of extensive social prediction was seen simply as the logical extrapolation of current progress then underway in the social sciences: Just as social scientists were then learning to quantify and offer predictions about, say, government spending and the business cycle, eventually all of these things would be made plain, and they could be represented simply and straightforwardly in numbers. On a pocket calculator, perhaps.
Filed in The Bookshelf
On my blog, I had a post about the economics of Asimov’s I, Robot in which I also noted that he was clearly on the wrong side of the socialist calculation debate. In that book he moves from a simple pocket calculator to do the calculations, and relies on massive thinking machines capable of analyzing all existing information, but he still misses the key point of innovation. The available information may tell us what makes people happy right now, but innovation is about making wild guesses about what people will want if it is given to them. Most guesses are wrong, so most new products fail. But without those guesses–that are not logical consequences of available knowledge–the economy would stagnate. It makes it difficult for me to re-read what is otherwise an interesting book.
Jason, keep in mind that the Foundation series was written in the 40’s and 50’s. The writing was childish - Asimov was young. Reading these books now, I get shocked at how bad it was - but it was so far ahead of what other SF authors were doing. Read his Foundation novels from the 1980’s (Foundation’s Edge, Foundation & Earth, Prelude), and they are still *fantastic*.
As for psychohistory, I don’t think Asimov was saying that psychohistory could be used to control day to day things, or even the economy at any scale. One of the points that Seldon makes frequently is that short-term predictions are far less reliable than longer-term predictions. According to psychohistory, only broad strokes of human history can be predicted, not the minutiae. I don’t think of Seldon’s manipulation falls into the category of “planning” — it’s not about predicting that Commodity X will rise in price, or that Commodity Y should be lowered in price, it’s about predicting things along the line “Some commodity Z will rise in price, increasing pressure on another group to do something”. The point is repeatedly made that psychohistory fails at “specificity”.
Oh, by the way, I’m glad you got back to this series of posts…
I also read and enjoyed Asimov at a young age, but even then it bugged me when his supposedly brilliant characters would figure something out 30 pages after I had. I tried to reread the books as an adult, but they really suck. So I won’t defend him for his literary merits, but because of the era, pyscho-history deserves some defense.
Science fiction was very big on extrapolating new science into other areas. Scientists at the the time were very optimistic about measuring human behavior (sadly much of the research slammed into the wall of perceived racism, and the science was largely abandoned). Additionally, only recently had thermodynamics been reconciled with quantum mechanics. Asimov was trying to establish a parallel between these sciences, where even though an individual’s actions might be random (quantum mechanics), the system as a whole was totally predictable (thermodynamics).
It is easy 50 years later to look back and say this is silly, but science fiction is about extrapolation, most of it turns out wrong. It is not fair to criticize him for playing with the big ideas of the time.
As a side note, he did show that a special individual (the mule) could break the rules of psychohistory.
Hey guys, don’t indict Asimov too hard on the collectivism (although he was to the left politically).
I just read James H’s comment about I, Robot (and his article). I’m not sure that Asimov wasn’t warning against that kind of control over the economy and human creativity. I can think of at least one story off the top of my head, called “Man’s Greatest Asset” where a government beaurocrat intentially thwarts the machine-planned result on the basis of fostering human creativity. Not all of his stories are necessarily meant to be proscriptive, merely speculative.
Wow, epic fail on spelling. Where’s that preview option?
BUREAUCRAT
One of the reasons I’m bringing up Asimov now is to link back to an older tradition of speculative fiction (notably Things to Come and Looking Backward) in which these sorts of planning schemes were common. We’ll be headed there very soon if I recall correctly.
Asimov is in a way interesting because he is among the last. I agree, too, that the books written later in Asimov’s life are much better on this, even starting arguably with the third book of the original trilogy, but certainly so by Prelude to Foundation and Foundation and Earth.
Braxton: Get Firefox’s spellchecker, it makes things so much easier.
Given that these books are written in the 1940s and 1950 might explain why he tried to treat human societies like a stochastic (that’s fancified statistician talk for random BTW) processes, rather than chaotic ones.
The whole “it only works in large societies” thing is a classic appeal to the Law of Large Numbers, sure there’s anomalies but they cancel out in the end right?
Well, not so much. Chaotic systems are trickier than that, their anomalies add up rather than cancel out. Large numbers just make the problem worse.
Plus human societies are adaptive to a truly awe-inspiring degree. You see this with share markets, someone comes up with a new financial model and it works, for a while. Then the price mechanism absorbs the new information and your shiny new model produces nothing but noise, remember when hedge funds were a guaranteed way to make obscene profits risk free? Ask the backers of Long Term Capital Management how that’s working out for them.
In short, you can’t invent psychohistory and even if you did it would fall apart inside a decade.